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AP® English Literature and Composition · Unit 3 · Topic 3.1

Character in Longer Works: Revision Notes (English Literature 3.1)

A one-page recap of character in longer works: description and expectation, the role of the narrator or other characters, comparisons, shifting perspective and motives from actions and inactions.

Recap

In a novel or play a character is built over many scenes. Early description sets expectations; whether the character meets or breaks them shapes interpretation. A reader’s view often depends on the perspective of the narrator or other characters. A comparison reveals the speaker’s perspective and may reveal something about the character compared. Motives are inferred from actions and inactions.

Key relationships

Idea What it means What to ask
Expectation What the description leads the reader to predict Is it later met or broken?
Source of description Narrator, community, another character or the character Whose perspective is it?
Comparison A character likened to something or someone What does the standard say about the speaker?
Soliloquy A character thinking aloud on stage What does the self-analysis admit or hide?
Motive The reason for an action What does the action gain or protect?
Inaction What a character fails to do or say What does the silence protect?

What you may assume

  • A character’s perspective may shift as a work proceeds.
  • A narrator may report a community’s opinion without sharing it.
  • In a play, stage directions and what others say are part of the evidence.

Mistakes to avoid

  • Treating a community’s verdict as the narrator’s.
  • Treating a first impression as the whole truth.
  • Writing a trait word with no evidence.
  • Ignoring inaction and silence.
  • Saying “the author thinks” instead of “the narrator suggests” or “the character believes”.

Key terms

  • Expectation: what a character’s description leads the reader to predict about behaviour.
  • Soliloquy: a speech in which a character thinks aloud, usually alone on stage.
  • Comparison: a character likened to something or someone; it reveals the speaker’s perspective.
  • Inaction: what a character fails to do or say, which can reveal motive.

Sentence frames

  • “The description of … as … creates an expectation that …, which [the action] meets / breaks.”
  • “By comparing … to …, [speaker] reveals a perspective in which ….”
  • “Because [character] does not …, we infer a motive of ….”

Mini-example

Description: a lady of “excellent character”, rumoured to keep a notebook of failings. Action: she gathers the broken china into her apron. Result: the expectation of reproof is broken.

How questions ask about this

  • “The description of … creates an expectation that …”: state the expectation, then check whether the action meets it.
  • “The comparison made by … most directly reveals …”: it reveals the speaker’s perspective as well as the compared character.
  • “The character’s action most plausibly suggests that …”: choose the motive the details support.
  • Constructed response: use description, speech and action together to make a claim about perspective or motive.

Quick self-check

  1. Why does it matter that Darcy’s description is given in terms of what the room “pronounced” and “declared”?
  2. What does Macbeth’s soliloquy reveal about his motive?
  3. Why is a comparison made by Lady Macbeth evidence about her as well as about him?

Answers.

  1. It shows that the judgement belongs to the room, so the description reveals the community’s values as well as Darcy.
  2. He admits that only “vaulting ambition” drives him and that duty weighs against the deed.
  3. She treats courage as consistency between desire and act, which shows how she judges people.

Full explanations are in the study guide. Try the practice questions next.

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