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AP® English Language and Composition · Unit 7 · Topic 7.1

Introductions and Conclusions for a Complex Argument: Revision Notes (English Language 7.1)

One-page recap of writing and analysing introductions and conclusions that suit the rhetorical situation, with the key moves, the mistakes to avoid and a quick self-check.

Short on time? This page is the recap. For explanations and worked examples, use the full study guide.

Recap

  • An introduction introduces the subject and/or the writer, and it orients, engages and focuses the audience. It may present the thesis.
  • A conclusion brings the argument to a unified end. It may present the thesis, but it should do more than repeat.
  • Both are choices made for a rhetorical situation. A hostile audience, a friendly one and an examiner each need a different opening.
  • When you analyse them on the exam, name the move and explain its effect on this audience and purpose.

Key moves

Part Moves to recognise and use
Introduction quotation · intriguing statement · anecdote · question · statistic or data · contextualised information · scenario
Conclusion significance in a broader context · connections · call to act · change in behaviour or attitude · solution · compelling image · implications · summary · link to the introduction · thesis placed last
Test for either Does it orient, engage and focus (introduction)? Does it unify and add something (conclusion)?

Choosing a move

  • Who is reading? A board that must decide wants context and a thesis early; a general reader may need an anecdote first.
  • What is my purpose? To persuade a sceptic, lead with common ground or a concrete scene; to inform, lead with the context.
  • What is the setting? In a timed essay, put the position within the first few sentences.

Model moves to remember

  • Anthony (1873, public domain) opens with a scenario of her own indictment: it orients the crowd, engages them with personal stakes and focuses the argument through the phrase “alleged crime”.
  • Lincoln (1865, public domain) closes with a call to act wrapped in a change of attitude (“with malice toward none, with charity for all”): the ending turns the speech’s meaning forward rather than repeating it.
  • A Marlbridge model: an essay that opens on a student waiting for a bus in the dark can close by returning to the same bus stop, now as a choice the board must make. The echo gives the sense of a unified end.

Mistakes to avoid

  1. Announcing instead of arguing: “In this essay I will discuss…” has no content.
  2. Vague openers: “Since the dawn of time…” or a dictionary definition that nobody disputes.
  3. A hook that goes nowhere: an anecdote or question with no link to the claim.
  4. A conclusion that only repeats the introduction in different words.
  5. New evidence in the conclusion that deserved a body paragraph.
  6. Naming a device without an effect: “The writer uses an anecdote” is not analysis. Add what it does for this audience.

Quick self-check

  1. Name three moves an introduction can make. (Any three of: quotation, intriguing statement, anecdote, question, statistic or data, contextualised information, scenario.)
  2. A conclusion returns to the story that opened the essay. Which move is that, and what effect can it have? (Connecting to the introduction; it gives a sense of completeness and shows how the argument changed the meaning of the opening.)
  3. Why is “In conclusion, I have shown that…” followed only by a repeat of the thesis a weak ending? (It adds no significance, implication or action, so the audience gains nothing from the last words.)

Next: practice questions.

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