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Flashcards · 9695 · AS Topic 1

Paper 1 – Drama and Poetry (AS Level) flashcards

11 cards on AS Topic 1, subtopics 1.1 to 1.2. Pick a subtopic or study them all.

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1.1 Section A: Drama

How is 9695 Paper 1 Drama and Poetry set out?
2 hours, 50 marks: one question from Section A Drama and one from Section B Poetry, 25 marks each. Set texts and dictionaries are not allowed. It is half of the AS Level.
What are the four AS Level assessment objectives in 9695?
AO1 knowledge and understanding, with relevant context; AO2 analysis of how language, form and structure shape meaning; AO3 an informed, independent personal response; AO4 a relevant, structured, well-supported response. Each is 25% on Papers 1 and 2.
What is the difference between an (a) and a (b) question in 9695?
(a) is a discursive essay on the text as a whole, with no extract printed. (b) is anchored to a passage or poem printed on the paper, needing close commentary that also connects to the whole text.
What should a drama answer focus on beyond plot?
Theatricality: staging, stage directions, dramatic irony, pacing, how a scene would work on a live audience, and character shown through action and dialogue.
What is the effect of short, clipped exchanges of dialogue?
A rapid rhythm that can dramatise a scene accelerating emotionally, building tension or conflict.
What can a stage direction that withholds a reaction achieve?
It stages indecision or tension physically, so the audience watches the uncertainty rather than being told about it.

1.2 Section B: Poetry

What should line-level poetry analysis cover?
Diction (word choice), imagery, sound, rhythm and metre, and form and structure, always with the effect of each choice.
What is the effect of an extended metaphor in a poem?
Sustained across several lines, it suggests the subject has its own internal logic or pattern, not just a passing comparison.
What can an asyndetic list do in a poem?
Items joined without connectives can mimic memory or perception surfacing in fragments rather than as one continuous narrative.
What is iambic pentameter?
A line of five metrical feet, each an unstressed then a stressed syllable (ten syllables). Its regularity can feel natural or controlled, so a break in it draws attention.
Why does paraphrasing a poem score poorly?
Saying what the poem is about is description, not analysis. It does not access AO2, which rewards how language, form and structure create meaning.